C.V.N Kalari Gopalan Gurukkal Smaraka / Kozhikode


Popular Name: C.V.N. Kalari East Hill
Master: V.M.Vijayan Gurukkal
Address: Gopalan Gurukkal Road, East Hill, Calicut, 673005, Kerala, India
Tel +91 495-2381766 Mobile: +91 98462 48108
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Vijayan Gurukkal is starting Puja for Puttara

The founder of this Kalari is Gopalan Gurukkal who is one of the founding members of the C.V.N.Kalari Movement that has become the driving force of the Kalari Renaissance.

L: C.V.N.Nair Gurukkal, R: Gopalan Gurukkal

He learned Kalaripayattu under both C.V.Narayanan Nair, Kottakal Kanaran Gurukkal. As one of their beloved disciple, he gathered fame and established this Kalari here in Calicut 1943.


Meypayattu shows outstanding flexibility

Practice takes place within very close distance almost touching the shoulders

After Gopalan Gurukkal passed away, his son, Vijayan Gurukkal took over the Kalari and maintained it. Now his son(grandson of Gopalan Gurukkal) Vikas is mainly teaching Kalaripayattu practice, and Vijayan Gurukkal is concentrating on Kalari treatment.
The whole family is a passionate believer in Sai Baba, also teaching students in Puttaparthi and White Field.

Elephant Posture
Lion Posture
Cat & Rooster Posture
Irithi & Wild Boar Posture

The Kalari is a family run of Vijayan Gurukkal, his wife Kanchana, the successor son Vikas and younger sister Kavitha. Most of the stay can be very relaxing like a homestay. It was disappointing that Kavitha, who was the most proficient in English, served as a good mentor to foreign guests, but got married in April 2007 and left home.
However, I've heard that she often comes home and helps her father's treatment work.

L: Kettukali Long Stick, R: Gadha
L: Sword & Shield, R: Otta Curved Stick


Very speedy demo of Short Stick Mucchan

Kettukali Long Stick Fight

The disciples coming here also have an unpretentious nature both adult and youth, and both Gurukkals are trusted as a Kalari physician by the people surrounding.
The author also stayed for more than one month in the research travel 2005 and 2007, learned Kalaripayattu under Vijayan Gurukkal. These photos and videos posted here are the fruits of the cooperation by everyone in the Kalari.

All the kids are pure and cute

The guest room is added to the main house where the Gurukkal family lives on the first floor, and the Kalari is on the ground floor underneath. In recent years, they have built a separate guesthouse too.
The Kalari is located in a quiet residential area a little away from the center of Calicut city. It takes about 20 minutes by auto both from the bus stand and train station. If you get familiar with it, you can take the city bus that runs frequently and cheap.







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Kadathanad K.P.C.G.M. Kalari Sangam / Vadakara


Master: Madhu Puthuppanam Gurukkal
Reg. No. 25/63 Puthuppanam Vadakara Calicut Dist. Kerala India
Ph:0496-2528135
https://www.facebook.com/kpcgm.kalari/

Madhu Gurukkal receiving the salutation

Kottakal Kanaran Gurukkal, the teacher of modern Kalaripayattu innovator C.V.N. Nair, was born in Vadakara, inherited the tradition of Kalaripayattu in this area and transferred it to his disciple Nair.
Due to this history, Vadakara is an important holy place for CVN Karari practitioners, but that is not the only reason.
There is the guardian temple of Kalaripayattu warriors called "Lokanarkavu" in this town.


Thacholi Othenan, the legendary martial hero of the medieval Malayalam Ballads 'Vadakkan Pattukal' was a famous fighter trained under Kadathanad style Kalaripayattu.
It is said that Lokanarkavu temple was the place where he used to pray daily for gaining martial strength and victory toward Durga Goddess, the main deity of the temple.
Since then, Lokanarkavu temple is the most important place of worship for Kalaripayattu practitioners who visit and pray in this temple at the milestone of their life or occasion having something strong wishes.
They also demonstrate Kalaripayattu here at the festival time twice a year with various ritual performances like dance and music.

 traditional wooden architecture of Lokanarkavu temple

The temple is built in Kerala's traditional wooden architecture and would be worth a look along with its beautiful façade(gable).

With such a rich history and settings, there are many local Kalari schools here in Vadakara.
In particular, the Kalari tradition of the Vadakara region is called Kadathanad style, which inherits the ancient style of the arts not modernized yet like the C.V.N. style, shows its unique presence in the Kalaripayattu field.

Kadathanad K.P.C.G.M. Kalari Sangam has a history of over 200 years, where Madhu Grukcal has succeeded after his father Kadathanad Chandran Gurukkal, who was known as a master of Otta Payattu.
The Kalari quietly sits on a hilly settlement a little north of the National Highway.
The practice is extremely distinctive compared to other Kalaris of CVN style. Along with the Kalari construction, it is the school that keeps the most traditional form of training system I have ever visited.

L: Traditional palm leaf thatched-roof, R: Loincloth called Kaccha
L: Weaved palm leaf for thatched-roof, R: Flexibility!
L: Gurukkal's daughter and friends, R: Praying for Puttara

I visited here in early 2007, anyway because it is a pure local Kalari, I could not communicate with them well in English, and had conversations with gestures & inspirations at the time of research.
Even with some difficulties, they were very friendly and cooperative, and I enjoyed all the time of research.
There are many disciple children, and girls have been practicing as much as boys, probably because of the presence of daughter in Madhu Gurukkal, and while they do not understand the English very much, the girls were at the center to cooperate entire research where I was able to see various demos.


L: Girl's troop, R: Boys troop
Kalari practitioners are the expert of Yoga too
L: Salute for the Gods and Goddess, R: Gurukkal & senior disciples

The above pictures show soil wall with several layers, which is a "stratum" because this Kalari has traditional dug-out structure called Kurikalari, means they are practicing underground.
The low temperature of the soil and the wind passing through the walls of this semi-underground structure cools the body of the trainee moderately, and even in the tropical country of Kerala, it is possible to continue practicing comfortably all year round.
There shows also high-level yoga poses, but as you can see in Mallakhamb, advanced Yoga-Asanas, which has high difficulty for ordinary people, are just a kind of preparatory or warming up for them, and many Kalari schools incorporate yoga-Asana in their training.
It is more obvious to watch the movie than to spend a million of words for understanding actual practice landscape. Although it is child-centered member, we can see the high level of flexibility and predominant agility with much power not found in CVN styles.



The interior of the Kalari had a poor light intensity, and although it was not captured very well by the cheap camera at that time, its unique feature of practice would be understood easily.
In Kalaripayattu, traditionally boys practice in loincloth called Kaccha as shown in the above photos. They showed me how to roll up the kaccha, therefore I'll show you the videos of its process.
The appearance of rolling up a very long cloth in layering way tightly on the lower abdomen is very interesting and seems similar to the "Mawashi" loincloth in Sumo wrestling.


At the base of Kalaripayattu lies the thought and practice of Kundalini Yoga, and it seems that there is a methodology that enhances and activates the power of chakra by rolling up the kaccha tightly.
This point reminds me "臍下丹田:Seika-Tanden", the focusing point of "気:Chi" on the lower abdomen in Japanese martial arts.
This is a personal hypothesis, but the traditional Japanese martial arts such as Sumo wrestling and Jujutsu seem to be influenced by Indian martial arts DNA somewhere in its history.

When I wrote the old edition of this homepage, I commented "A lot of young children are in the high level of flexibility and stamina. It is a very promising Kalari for after ten years,". Then ten years have passed now, it seems to have grown into a powerful Kalari with many outstanding young players.
According to the interview at that time, I wrote "if foreigners joined the Kalari, accommodation can be arranged in a nearby private house for around 2,000 rupees per month. The lesson and the tuition fee is from 5,000 rupees a month. You can ask for meals to housewife nearby or self-cooking" on the old edition of this site.
But all prices have risen sharply during these periods, so if you wish to learn and stay there, you should make contact them directly and ask for detailed info beforehand.
Even though ten years have passed, it seems that there are almost no foreigners accepted, but I have no doubts that it must be a valuable experience just by observing it, so I highly recommend to visit them if you have an interest and opportunity.

Access: From the bus stand of Vadakara, take a local bus bound for Quilandi to the south and get off at Arabinndagosh Road. Turn east on the corner of the store and take 5 minutes by auto or 20 minutes on foot. As auto is difficult to catch in the early morning or the evening, it is best to take an auto directly from the bus stand.
If you want to visit or practice there, you can either call them directly or talk in advance using Facebook's English message, considering the difficulty of conversation.
I visited Vadakara once in the winter of 2007, and it was a hard schedule to cover four Kalaris during my stay only for a few days, I could not do anything like sightseeing, but only one place I visited was the Lokanarkavu Hindu temple already mentioned above. It's worth visiting there, I strongly recommend it.






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Kerala Kalaripayattu Academy / Kannur

Also called: KKA Kalari Kannur
Master: C.Mohammed Sherif Gurukkal
Adress: Chalad, Kannur, Kerala 670014, India
Ph: 0497-2768178

KKA Kalari Kannur is run by Muslim Master Sherif Gurukkal. He is a man of intellect and has appeared in the famous book describing Kalaripayattu in detail "When the Body Becomes All Eyes" by Phillip P. Zarrilli. In the book, Sherif Gurukkal shows off hidden stories of Kalaripayattu in detail.


Access: Trains from the north such as Goa, Mangalore are convenient. Buses also depart frequently from & to Calicut. Go to Palliyamoola Beach by city bus from the Kannur station and a few minutes by walk, you can reach there. Or take an auto rickshaw directly to the Kalari from the station.

Transportation in the city of Kannur is well-maintained and there run many buses inside the city, going to suburbs and long-distance. The starting point of the move is the private Central Bus Stand.


The state of the city center is a little urban style. The contrast between the latest shopping center and the old bazaar is distinct.



A few steps away from the bustling city center, the red-tiled roofs of the old houses are scattered in the lush greenery, bringing out the remarkable flavor of the Malabar coast.

C.M. Sherif Master with Japanese Trainee

In early 2007 when I visited, Miss. Kaoru Osanai, who studies Ayurvedic medical treatment at Gujarat University, was staying here for a long period of school holidays to practice Kalari martial arts and medical treatment, and we could talk a bit about Kalaripayattu and Master Sherif in Japanese.

I was pretty impressed that when I asked her "What kind of person your Master is?", She answered "Bodhi Dharma!", just in a second.


L: Kalari Vandanam, R: Daily Practice Scene
Basic Animal Postures

To state it simply, here is a Kalari vacation program especially for foreigners. The condition of that staying at a cozy cottage on a resort beach with natural foods, being sent by a car for come and back to the Kalari, having one instructor for each student, and the teaching method is systematically easy to understand, are pretty good.

The cost includes room, two meals and coaching was the highest level I have checked at that time, but satisfaction guaranteed.

For details information, make contact to master directly.

Recently this Kalari tends to be a treatment-centered policy, so Kalari practice program is not strongly promoted, but they can accept foreign student yet. If you have interested in this Kalari, it's worth enquiring.













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C.V.N Kerala Kalari Sangam / Thalassery


Master:C.V.Devadas Gurukkal
Sree Rama Swamy Temple East Nada Thiruvangad Thalassery 670103 Kerala India
Tel:0490-2320030
https://www.facebook.com/cvnkeralakalari/


The Kalari is eastward across a big pond of the famous Thiruvangad Sree Ramaswami temple in Thalassery, so the location of the Kalari will be obvious to anyone. It's just a kilometer away from the city center so you can walk, but the auto is easy.

L: Traditional wooden door, R: Puja for Ganesha God 

C.V.Narayanan Nair Gurukkal who is the "father of restoration" rejuvenated Kalaripayattu into Modern age, constructed this kalari with the name of CVN at first in Kerala in 1926.
Devadas Gurukkal, the grandson of C.V.N. Nair's younger brother, still protects Nair's birth house and the Kalari.

Left: Devadas Gurukkal & his wife, Right: Kizhi treatment

Devadas Gurukkal has devoted himself to the treatment at the time of research in 2007, and his disciple Mr. Vijesh was teaching Kalari lessons. His coaching method was very good and one of the most impressed for my eyes. His personal performance was also very high.


Daily practice scene with Master Vijesh's coachings

After that, Mr. Vijesh took over the role of Gurukkal completely in 2015 and taking management of the Karari at all now.

The outlook of the Kalari 

The first impression of Kalari was pretty good which was built in a very simple setting in the traditional way without any extra decoration.
The local children coming to this Kalari for practice were really rustic and pure. They put on the classic Kerala style loincloth called Kaccha while practicing.
It was an unforgettable time that as long as I was in the Kalari, I forgot everything about the modern world outside and felt like witnessing ancient scenery dating back hundreds of years.

L: Self abhyanga before practice, R: Salutation to Poothara 
L: Cat sitting posture, R: Fish posture 
L: Lion posture, R: Taking a shower from well after practice

As far as seeing Facebook, it seems that Westerners are visiting for practice sometimes even now, but you should contact the Master in advance for detailed information about the acceptance of foreign students.
According to the research in 2007, the foreign trainee could stay at home of Master Devadas, a wooden house of traditional Kerala style that is said to be several hundred years old, with meals cooked by his wife. The total cost of accommodation + Kalari practice was  € 700 at that time.

L: The old house of traditional Karala style, R: Talwar & Urmi Sword

I thought the price with a setting that you can stay in the old folk house of Kerala, receive high-quality lessons, and visit the birth house of the CVN Nair, were pretty good enough.
However, it should be noted that various circumstances such as prices may have changed now. You should ask the newest info directly to Master Vijesh beforehand.

Thalassery, where this Kalari located, is more rustic town than the Kannur already introduced in another page, and the nature of the people living here is kind and friendly.
It is said that a Malayalam newspaper was first launched here in Thalassery, which is also the birthplace of the Communist party of Kerala.
The city Thalassery was a cultural center of the Malabar Coast since ancient times where liberal and advanced people gather.
That's why, the spirit of the C.V.N. Nair Gurukkal was nurtured, and the Kalari was established here.







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Vyayam / The Heritage of Dhanurveda

Vyayam, a martial arts exercise that is transmitted to Rishikesh in North India. I have not yet looked at it directly, and there are many unknown points.


The word Vyayam itself derives from the common Indic word meaning bend and stretch the body, hence means exercise. For example, Kushti Akhara traditional wrestling gymnasium is often referred to as "Vyayam Shala".
The video below shows the Spanish group of Vyayam practitioners (including Japanese Satomi) filmed by kalari gurukkal who gave me the video and I uploaded it on Youtube. So they came to the kalari for practice that's why wearing Karali costumes, but this is not formal for the Vyayam.






Very unique movements and breathing

The characteristic movement seems to be derived from Sthana, the basic posture and its training movements described in the holy scripture of Dhanurveda which records about ancient Aryan martial arts.
There are many parts that overlap with the pose of fighting Buddha statues, such as 不動明王(acalanātha) and 仁王(Vajrapāṇibalin), and the distinctive breathing method has an obvious influence of Pranayama of yoga. Probably it was born from Dhanurveda tradition, Tantric Buddhism and yoga in hybrid.
In addition, the extremely low attitude is interesting as it reminds me of Kalari's Meypayattu and Sumo training.
In fact, I watched meypayattu of central style kalaripayattu, with its unique breathing techniques and hand movements, I got an impression that was very similar to Vayam.


Central style Kalaripayattu


Official Vyayam Movie

Vyayam seems to be a valuable tradition that almost only remains in Rishikesh now, but as a full-body exercise with a breathing method, I see it as having a potential attraction comparable to Tai Chi. I would like to continue researching and promoting it from now on.
See Vyayam.org for information on the net. In Spain, there is a school founded by the Rev. Javier Plazas master who trained in Rishikesh, where Japanese Satomi is also active as a teacher. Every winter, it seems to have a workshop in Rishikesh. For more information contact them by email.






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Thang-Ta / The legend of Sword & Spear

Thang-Ta is a traditional martial art practiced by the major ethnic group Meitei people of Manipur, northeastern India.
Thang means sword and Ta means spear, Hence Thang-ta means "Sword & Spear", which includes a wide range of weapons techniques too.
Thang-Ta originally refers to the weaponry division of Meitei martial arts called Huyen langlon, and constitute it together with the empty hand technique called "Sarit Sarak".
It looks very close to Myanmar's ethnic martial arts because of its historical geographical proximity. If you look at the video below, you can also feel the similarity with weaponry practiced in the plain of North India, and some nuances of Chinese kung-fu in various aspects.


Promotion video of Thang-ta in English


I have not been to Manipur yet and have not seen it in the field, I discovered Thang-ta school branch by chance, on the research of Maharashtra in 2010.
A branch school was opened in Amravati by Mr. Mahavir, who learned the art under Master Prem Kumar who has the main school in Manipur.

Member of Thang-ta school in Amravati


group practice of Thang-ta

This video, I uploaded to Youtube, has got  several claims of "This is not Thang-Ta!", Which seems to be from Manipuri. I'm not sure but it has probably been localized somewhat by Mr. Mahavir in Marathi taste.
The northeastern part of India, including Manipur, was too deep backcountry to visit, but it seems that foreigners can easily enter in recent years, so I would like to explore and deepen martial arts exchanges in the future.

Reference: Huyen langlon






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Gatka / The Spirit of Sikh Saint Warriors

Gatka (ਗੱਤਕਾ) is a traditional combat-training system developed by Sikhs in Punjab State. The word Gatka means "stick", and it derives from the training of the soldier using a stick that imitates a sword.

Sikhism is a relatively new religion in India, in which the appearance of a man putting a big turban on his head is distinctive. It was founded by Guru Nanak at the end of the 15th century. It is a monotheistic religion that holds a universal thought of human equality based on anti-casteism, which is a critical fusion of Islam and Hindu.

Gatka has been systematically rebuilt in the late 20th century as a culture that symbolizes their ethnic and religious identity and is actively practiced as youth sports martial arts or show performances.

As India as a whole comes to terms of economic development, the Sikhs play a significant role in preserving traditional 'Indianism' with its strong religious conservatism.

The reason why Sikh is so conservative and rich in martial spirit is because of its history.

In the era of the Mughal empire, Sikh has always been at the forefront of repression, because of its strong faith toward their God and enthusiasm for the thought of human equality and democracy. During that time, many wars took place, and many Sikhs, including the dominant spiritual leaders called Guru, were sacrificed.

In this period, the remarkable fighting spirit of Sikhs was fostered, and the idea of ​​"Saint Warrior" was established, and at the same time, the foundation of the Sikh martial arts might have been fixed.

Eventually, the indomitable Sikh's soul finally gained independence by taking advantage of the Mughal Empire collapse, overthrew the Afghan forces coming from the west, and in 1799 founded the Kingdom of Sikh, whose capital city was Lahore, in nowadays Pakistan.

It is said that under the reign of the Sikh monarchy, diversity was respected, and all religions were equally entitled, and Christians, Muslims, and Hindus were equally involved in the administration.

However, the prosperity of the independent kingdom does not last long and was annexed by the British after twice of Sikh War in the mid 19th century. 
The British ruler focused on the high level of fighting ability of Sikh, secured the rights of the Sikhs and recruited them at the same time in large numbers as the main force of their army and deployed them in major cities throughout India.

In the Great Indian Rebellion (Sepoy Mutiny) that broke out in 1857, Sikh stood on the British side and suppressed Indian people, and since then the Sikhs kept cooperating with British colonial rule.

In the Saragarhi War that broke out in 1897 between the Afghan powers advancing to the east and the British Indian Empire, the only 21 Sikh units that had been isolated alone continued fighting against 10,000 Afghan forces for hours, and the proud Sikhs chose the death of honor rather than surrender. 
The British parliament has rewarded their honor with the award of a medal of honor.

After British rule was enough established, Sikh's practical martial arts strengthened the meaning of basic training for soldiers and centered on the use of bamboo and rattan sticks simulated swords instead of real swords.
This stick centered military practice is the source of the name "Gatka(stick)".

Eventually, the Sikh Forces also advanced into the British army, being feared by the nickname of The Black Lion in World War I. It is said that their Bible: Guru Grant Sahib was always carried on every battlefield.

In the ensuing World War II, 60% of British-Indian troops were Sikhs as its main force, and they clashed with the Japanese army on the Malay Peninsula and showed spectacular activity on the Myanmar Front and the Italian Peninsula.

However, after India's independence, the characteristics of Sikhs who have a strong faith and combat ability have pushed forward to the independence movement of Punjabi under the radical leader Jarnail Singh Bhindranwale in the 1970s and 80s  and consequently, It caused a bloody disaster of armed invasion to the holy place Golden Temple by the Indian government.

Golden Temple is guarded by armed security still now 

It seems that this kind of Indian government's response was probably a major reaction to Sikhs who were at the forefront of suppressing Indian people as a symbol of British colonial military power.

However, when resisting the Mughal Empire, cooperating with the British colonial government, and trying to fight for independence against Indian republic government, what is always at the root of them is to protect their faith. There is no doubt at all.

The strong pride and spirit of the Sikhs, who carry a history of struggle and bloody war, are strikingly different in the rapidly modernizing Indian society. Gatka martial arts is the symbol of such their soul.


Nihang Ashram / Anandpur Sahib

Even today, to maintain the tradition of such warriors, Gatka has been handed down and practiced, especially among the Samurai clan called Nihang.
This Nihang is a unique group of people who have their own ashram different from the general Gurudwara Temple, and they practice their self-sufficient training life centered on martial arts training, and the performance of their martial art is highly sophisticated.
It is said that they earn income while promoting the performance of the Sikh warriors by traveling around in various places all over India.

In recent years, Gatka is also popular as a general youth sport that revives the Sikh identity, and it seems that many girls participate it too.


The school of Gatka gathers around sacred places such as Golden Temple, Amritsar, and Anandpur Sahib, and so on. 

Together with its impressive visuals, it is a valuable presence that keeps the original North Indian martial arts scene.

Weapons being used there begin with bamboo and rattan sticks common in India, Talwar sword and shield, Barcha (spear), Dagger, Kukuri knife, Chakram ring-shaped throwing weapon, etc.


It seems that some of the masters have passed on Pan-Indian science of weaponry called Shastar Vidya and ancient empty hand technique called Malla Yuddha.


Members of Nihang Ashram

The first part of the video above, "Chakkar" is a ring rotating technique that symbolizes the holy wheel weapon "Sudarshan Chakra" of Lord Krishna.

Chakkar symbolizes sacred Chakra

The Punjab State located at the northwestern tip of the Indian subcontinent has a Chakkar, and Tamil Nadu State at the southernmost tip shares the same technique under the name of Chakra Chutru.


Silambam Ring, Chakra Chutru

It goes without saying that the underlying idea is the Pan-Indian thought of 'Sacred Wheel = Chakra'.

The highly developed Stick rotating technique by Silambam and Lathi Khela is inherited in the name of Marathi in Gatka of Sikh, and mere stick rotating to Chakkar ring rotating, the appearance of "wheel" become more distinct.


Throwing Wheel Weapon "Sudarshan Chakra" with Krishna 

On the other hand, it is said that the traditional blue costume of Nihang and its decoration imitate the blue body color of Shiva and its outfit.

The appearance of Nihang is the copy of Shiva

Chakkar imitates Sudarshan Chakra that is the discus weapon of Vishnu Krishna. A figure of Nihang that imitates Shiva. It's very clear that Sikhism basically owes much of its thought to Hindu.

Historically, Sikhs, who are sometimes suppressed Hindu and suppressed by Hindu, sometimes fought each other, are undoubtedly members of the Pan-Hindu family that share many ideas and symbols.

Even for foreigners who do not have strong faith like them, it may be said that Sikh's existence symbolizes Indianness by its visual impact vividly.

When I visited India for the first time in a while at the end of 2018, I first entered Kolkata and traveled from there directly to Bangladesh for about a month. After that, I re-entered India, and when seeing an ordinary Sikh man rolling a turban on his head in a rural town in West Bengal, I suddenly caught up by the strong feeling of " I have come back to India again!"

As a martial arts nerd and Indian freak, I would like to continue to support Gatka martial arts and Nihang's Saint Warriors who symbolize the Sikhness most impressively.

Reference: Sikhs in the British Indian Army - Wikipedia Gatka - Wikipedia https://www.indiangatkafederation.com/


  





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Lathi Khela / Bengali Stick Art

Lathi Khela (লাঠি খেলা) is a word combining Lathi, which means a stick, and Khela,  means a game and is widely used as a general name for “stick arts” in the most parts of the subcontinent, except the Dravidian-speaking region in the South.
However, I would like to focus on the traditional stick martial technique transmitted to the Bengal region (West Bengal, India) on this page.
Lathi Khela tells us how to use the stick which is the basics of all weapons techniques.
Before the advent of guns and other firearms in the modern era, when the protagonists of battlefields were swords and spears, stick art was universally favored throughout the world as a basic technique for training warriors.
It can be said that Lathi Khera is such typical stick art still inherited in India as a game and sport, barely survived after British colonial era with Guns and Cannons and rapidly proceeded modernization of these days.

In the West Bengal region, Lathi Khera is divided roughly into two, the stick rotating technique called "Banethi" and Fighting technique called "Halwa".
In Banethi, the player holds the middle of the stick with one hand (or both hands) and rotates it fluently in high speed with various techniques.
In Halwa, he holds one end of the stick with both hands (or one hand) and wields it with full strength.
The sticks used here are often bamboo or rattan, usually little longer than player's height, and its technical style is very close to Tamil Silambam. 
The name "Benethi" is probably a corruption of the word "Banathi", which is seen in Odisha State as "rotating fire rope", and both would have been derived from Ba-Nathi meaning fire-stick.
Therefore Banethi in Lathi Khela system is designed for firestick rotating performance, I guess.
It has a very high potential as a universal exercise to build up the body fittable to operate weaponry like a sword and spear and has been practiced and inherited under various names throughout India.


The highly developed Banethi rotating technique

As well as effective exercise, the trajectories of the Banethi stick draw the image of a beautiful rotating wheel, has become a must-have attraction for Indian festivals in many ways.
On the other hand, Halwa(which means an attack) technique is mainly stick-wielding to attack the opponent severely in many technical variations but Banethi mainly focuses on exercise and show performance.


Halwa stick-wielding

When gripping one end of the stick with both hands, in case of the Japanese sword, left-hand holds the end of the stick and right-hand holds a bit upper point, but in case of Lathi Khela, it's completely opposite where the right-hand holds the lower end of the stick and the left-hand holds the upper side. This is a specification common to almost all Indian stick arts.
This Halwa technique has been transmitted in the Bengal region until now, because of a landlord class called Zamindar who stands between farmers and colonial government and collects taxes from farmers, intimidated them by using stickman called “Lathial” and always keep it beside them as an escort guard in peacetime too under the British colonial era.
Therefore, this lathial stick was exceptionally accepted by the British colonial government because it facilitates their tax collection process, contrary to other traditional martial arts which often were violently oppressed as a symbol of the resistance against British authority.
It is not difficult to imagine how this Halwa stick has suppressed innocent people as the symbol of the merciless British sovereign at that time.
Such sad history was now completely forgotten, and Banathi and Halwa are practiced as a modern youth sport under the name of Lathi Khela together in West Bengal.

However, with the rapid modernization and economic development of India, the interest toward traditional martial arts of young people, in particular, is rapidly being lost, and even if this Lathi Khela is put in danger of the decline and extinction.
Under such circumstances, one interesting form of this stick art practice is in a religious context.
A religious movement that originated in Bengal in the beginning of the 20th century called Bharat Sevashram has a curriculum of Lathi Khela training as a kind of religious virtue and ritual.
I have been researching mainly with this ashram in West Bengal, and all the nist videos introduced on this page were taken there.

Swami Purushottamananda Guru-Ji and his disciple

The Bharat Sevashram is one of the Hindu revival movement founded in 1917 by Swami Pranavananda Maharaj who was born in a village near Madaripur Bangladesh, which was much inspired by Buddhist ideas despite being Hindu, has strict priesthood system outside family life.

Since the founder praised the Lathi as a religious practice to protect Hindus from the threat of aliens such as the British and Muslims, Lathi Khela has been a required subject for young monks just after ordination in the main Ashram. There is also a stick class in many branch Ashrams, both for householders and monks.

This seems to be a typical Indian like that they practice stick art as a kind of spiritual rituals using body and mind.


Guru-Ji, age 85yo teaches Stick every day in the morning & evening

It is also said that in the same era, another Hindu revival movement Bratachari, also practiced the Lathi Khela as a part of the Hindu cultural revival program.

On the other hand, even in Bangladesh, which contrary has become an independent country of Muslim Majority, Lathi Khela survives barely a kind of simple stick play in the daily life of rural areas.

However, compared with that of West Bengal, it has more primitive rural nuances, and it does not show the stylish technical superiority as seen in Bharat Sevachram.





Since the birthplace of Bharat Sevashram is in present Bangladesh, I went around the country in 2019 with hopes that a good tradition of stick arts in high level would remain there, but I couldn't discover it.

Similar to India, the traditional martial arts of Bangladesh are in danger of decline and annihilation as a whole, but I would like to continue to explore it as a theme too.








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